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Abraham ortelius biography8/26/2023 ![]() Height N/A Weight N/A Bust – Waist – Hip N/A Hair Color N/A Eye Color N/A Shoe Size N/Aīefore he was famous, His career began as a map-engraver. Abraham sun sign is Aries and his birth flower is Daisy & Sweet Pea.īirth date 14-Apr Day of Birth Sunday Year of Birth 1527 Birth Sign Aries Birth Sign Duality Assertive Birth Sign Modality & Element Cardinal Fire Opposite Sign Libra It fell to Mercator’s son Rumold to complete and publish the Cosmography and for Hondius the Elder to remind the world of Mercator and his contributions.Bio / Wiki Full Name Abraham Ortelius Occupation Illustrator Age Death Date (age 71) Date of Birth ApPlace of Birth Antwerp, Belgium Star Sign Aries Country Belgium Gender MaleĪbraham Ortelius birthday is on Apand he was born on Sunday. It was his intent to draw each map, write all text in its entirety and to engrave the plates himself – a huge undertaking which he did not complete in his lifetime despite living to the venerable age of 82 (1512-1594). From the first through the fifth they would cover the creation according to his interpretation of the biblical account, the heavens, geography, history and finally, chronology. Mercator’s hope was to publish a work consisting of five volumes which would illuminate the entire world and its history. This important and influential Mercator map of the world was first printed in Geneva in 1587 while Gerard Mercator was still alive, and again in 1620 by Jodocus Hondius the Younger. The world map in Theatrum was based on that of Gerard Mercator, as were a number of other maps. During the interim between conception and realization, the publication of Ortelius’ Theatrum in 1570 quickly took Europe by storm, and was eventually published in 33 editions in seven languages. Gerard Mercator had conceived his Atlas or Cosmography in mid-life in 1563, when employed as cosmographer to Duke William IV of Kleve, just seven years before the first publication of the Theatrum of Ortelius. He helped establish Amsterdam as the center of cartography in Europe in the 17th century. Hondius was one of the central figures in the development of the Golden Age of Dutch/Netherlandish cartography (c. The great Dutch artist Vermeer often used the maps and globes of Hondius the Elder in his paintings.įollowing his death, Hondius was succeeded by his sons, Jodocus the Younger and Henricus, and his son-in-law Jan Jansson. ![]() Hondius is also believed to have been the chief engraver of John Speed's plates for his Theatre of the Empire of Great Britaine. The Mercator-Hondius Atlas was composed of maps from the plates Hondius had purchased from Mercator's grandson, as well as thirty-six new plates which Hondius had commissioned, and in many cases engraved himself. They drew heavily on the work of Mercator and were well-received, establishing Hondius' influence in his homeland, while reminding western Europe of the great cartographer’s prodigious contributions. ![]() ![]() Sir Francis Drake by Jodocus Hondius the Elder Return to Hollandįollowing Hondius’ return to Holland, he published his Atlas and the smaller Atlas Minor in the early seventeenth century. This map of China is from Hondius' Atlas.Īmerica by Jodocus Hondius the Elder 1609 This revived Mercator/Hondius Atlas became a powerful influence in 17 th century cartography, and remained one for several decades. Whilst establishing his own career, Hondius also sought to reestablish Mercator’s place in the canon of great cartographers of the era and he was indeed instrumental in restoring Mercator’s rightful place in history, albeit posthumously, when he republished Mercator’s Atlas in 1606 with some important new material of his own. Hondius respected and admired the work of the great Mercator, a true cartographic pioneer whose career, perhaps unfortunately, coincided with that of Abraham Ortelius. Jodocus Hondius the Elder is often referred to as the most worthy successor of Gerard Mercator, not only for his own talent as a cartographer, artist and engraver, but also for having revived the importance of his friend and colleague Mercator’s work, which had been significantly overshadowed by the multitudinous popular editions of Abraham Ortelius’ Theatrum Orbis Terrarum.
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